Showing posts with label decoy. Show all posts
Showing posts with label decoy. Show all posts

Friday, April 24, 2009

A Mysterious Suisun Pintail


A couple of weeks ago I took my daughter up to Lake Tahoe for her first ski trip. The journey to the mountains brought me unexpectedly through some gorgeous landscapes, rich in decoy history. To get to Tahoe from Healdsburg, I had to take Highway 37 across the northern portion of San Pablo Bay. This route takes me over the Richard "Fresh Air" Janson Bridge, dedicated as such by Congressman Mike Thompson, a civic worker and decoy collector. After driving through the hallowed Janson territory, I cruised up to Interstate 80 and passed the Suisun Marsh to the east.
 The Suisun Marsh is the largest contiguous estuarine marsh in the United States. It is named after the native people who lived there year round in large domed houses and harvested the bounty of the marsh and surrounding hills. They lived this way undisturbed until 1776. During that historic year, the Colonists declared their independence and Captain Juan Bautista de Anza arrived on what is now known as the San Francisco peninsula with a group of spanish settlers who were charged by the viceroy of New Spain to colonize the area. Early contact with the Suisun was peaceful and trades were made for food and glass beads. Later, as the peninsula's deep harbor became more valuable to several interests, including Spanish, Russian and American, pressure mounted to control the area, and the Suisun peoples, lacking the armaments of the Europeans, were squeezed out. Ultimately, U.S. settlers won with the "bear flag" revolt and the whole area of present day California was sold to the U.S. government by the Spanish for 15 million dollars. 
While other marshland areas around the growing city of San Francisco were developed, farmed, and inhabited the Suisun Marsh remained relatively undisturbed. This is attributed to the high salinity of the soil, which unlike the San Pablo bay area to the East,  made farming the reclaimed marshland difficult.  As the "west was being won" railroad tracks were laid across the marsh and provided day trip access for market hunters and wealthy sportsman coming from the city.  When James "Bud" Altenbern arrived in the area after marrying in 1938 and starting a new job at the Basalt Steel Mill, the marsh was still holding a large number of migrating birds, and with the federal government opening the Grizzly Island Game Management Area in 1948, the marsh became a permanent wildlife refuge and protected hunting area that exists to this day. It is on the banks of Grizzly Island that this decoy, pictured above, was used by Bud and his wife "Skip," his favorite hunting partner. Mr. Altenbern carved this fine pintail hen body from solid redwood and used sugar pine for the head. It still bears the scuffs of green paint from rubbing the sides of Altenbern's homemade Tule Splitter, a small double-ended flat bottom boat used to "split" the tule reeds. This decoy was originally bought from Mr. Altenbern by Bill Mori, whom I interviewed below. It came into my possession after being purchased at the auction of the Somers Headley collection. This pintail is unique and mysterious as it has glass eyes which appear black, until side lighting reveals a red iris. "We have not seen this type of eye on any other West Coast decoy and have not learned their origin." (Wildfowl Decoys, Miller & Hanson, 1989, p.169)  


It is fitting to me that this decoy has mysterious eyes for it comes from a mysterious place. As I sped passed the marsh, which was just shrugging off the last of the morning fog, I searched my mind for an explanation. I imagined some small glass beads held in the hand of a young Suisun Indian just after a trade to some Spaniards in need of sturgeon meat. I imagined the beads lost to time then rediscovered in the marsh by a young Bud Altenbern and made into the unknown eyes of my mysterious Suisun pintail decoy.  

Thursday, March 12, 2009

Miles Traveled...




Here is an interview with Robert V. Bryan, carver of the Pacific Brant decoy above. I did this interview at his home in Walnut Creek in 2007 after speaking to Mr. Bryan a couple of times on the phone. He was born in Arcata, California in 1920; his grandparents were among the town's first inhabitants. His decoy found its way to my collection after traveling across the U.S. at least twice. According to Mr. Bryan, the brant was one of about two dozen that he carved prior to leaving for military service in Korea around 1946. While he was abroad, the rig was used by a close friend Lewis "Lewey" Raice. Lewey Raice was the nephew of Lyle Lancaster of Arcata, whose decoys can be seen Here.  Mr. Bryan used Lyle's decoys to fashion his own rig, and the similarities are evident. After Mr. Bryan returned from the War, he and Lewey used the rig while stake blind gunning in South Humbolt Bay until sometime in the 1950's when Mr. Bryan  lost track of the decoys after relinquishing possession to Lewey. The decoy pictured above surfaced sometime there after in the collection of August Sebastiani, son of  Samuele Sebastiani, founder of Sebastiani Winery in Sonoma, California, where it stayed until the mid-1980's when August's collection went to auction. From there, it found its way across the United States to the Guyette & Schmidt auction house in Maryland, where it was again purchased and sent to my collection where it currently resides. It isn't the prettiest decoy in the collection and it is one of the simplest, but in its simplicity it has a practical beauty.  

Tuesday, March 10, 2009

My first Decoy

My first decoy was given to me by my father upon graduation from high school in 1989. It is a Wildfowler Bluebill hen. It was made in Old Saybrook Connecticut, the site of the original Wildfowler factory owned by Ted Mulliken. I believe this decoy to be an "Atlantic Coast" model, with a #2 quality feather finish. It was most likely produced in the late 1940's to early 1950's. The bottom has been painted with the initials G.H. in red, assumed to be the owners initials. I am not sure why my Dad chose this decoy, but it has inspired my current Wildfowler collection, and infected me with the decoy collecting bug. I find old wood decoys to be unique examples of American Folk art, as well as, tangible clues to our collective past. I have often heard collectors comment, "if this bird could talk , the stories it could tell." I enjoy researching the stories behind the decoy, the carver, the places, and attempting to give "the bird" a voice.
I am gearing up for the Santa Rosa Decoy show this weekend. Pictures and potential new additions will be coming soon. In the immortal words of the great collector, Delbert Winkelreid, "Keep the dust off 'em".